Music

Hey you! Want a good way to die a horrible, painful death? Enter into any geek domain and put down the music of the Final Fantasy series. Do it. I double-dog dare you. Even scrubs who couldn't identify a single other composer or notable video game soundtrack will leap to the defense of One-Winged Angel.

While I generally do like the Final Fantasy tunes, especially the earlier 8-bit era stuff and Final Fantasy IX, I haven't seen it as an infallible series in regard to its music. I think along the way Nobuo Uematsu's become this person who can Do No Wrong in the gaming community, which has stifled an honest look at both the highs and lows of his soundtracks.

I don't want to be all about hero worship or mindless bashing today; I want to examine a fairly good but not perfect soundtrack that represented Final Fantasy's first foray into MMOs. Along with Uematsu, Naoshi Mizuta and Kumi Tanioka shared composing duties on this project. There's some terrific stuff here that you'll listen to after the jump, but there are a lot more completely forgettable (and sometimes annoying!) tracks that have been shoehorned into FFXI's expansive game. So let's come down to earth and see what Final Fantasy XI has in store for us.

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Embers of Caerus just wrapped up a week focusing on the continent of Nupoanqa, and if you missed it, we have a few dev blogs along with a video so that you can cram before the test.

Nupoanqa is a region covered in the "green hell" of a jungle and has a trio of indigenous factions for players to discover: the Onakawa, the Senoka, and the Benghi. One of the dev blogs discusses the inspiration behind each of these factions, while the remaining two deliver short stories if you want to get into the lore.

While the following video eschews actual gameplay footage of Nupoanqa, it does contain four minutes of animated concept art set to the music and sounds of the area. Get a feel for Nupoanqa after the break -- it's quite relaxing.

[Thanks to Dave for the tip!]

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It's been almost three-and-a-half years since players were forced to unplug from The Matrix Online for the last time, but the memories and music remain. When I first was wowed by The Matrix back in 1999, the dark, action-packed score became an instant favorite of mine. It's a franchise in which the sound is critical to the feel of the films, and it makes sense that this would extend to the MMO.

The makers of MxO went to great lengths to retain the look, story, and audio of the films, which is why the trilogy's composer, Don Davis, was called in to create the music for the game. While the films are more dependent on an orchestra for the score, Davis went with a heavy synth sound for the MMO. It's still quite Matrix-y, however, and pretty dang cool to discover (or discover all over again).

Let's boot up this ancient laptop that I found and see if we can coax a few tunes out of it before Windows 98 shuts down on us for good.

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A great soundtrack has the ability to raise the mundane to memorable and the wonderful to epic. It's hard to imagine films like Star Wars or Back to the Future without their iconic scores or video games like Super Mario Bros. and Final Fantasy without their catchy tunes. So I'm always keen to hear the soundtracks of up-and-coming MMOs because they give me an indication of how much care is being given to the overall quality of the project.

I'm doubly excited for WildStar's score because it's being composed by Jeff Kurtenacker. Kurtenacker produced one of my all-time favorite MMO soundtracks, Pirates of the Burning Sea, which is a playful, exuberant romp through the nautical soundscape. And so far from what we've heard of WildStar's score, we can expect much of the same when we make planetfall on Nexus.

On one drizzly afternoon in a country that you've never heard of, Kurtenacker met with us in a small pub to talk about the joys of creating the music that will soon be infecting the brains of thousands (millions?) of gamers worldwide. Read on, space-man or space-woman, and be astounded!

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Yes, you're seeing the header graphic correctly; Howard Shore is the powerhouse behind Soul of the Ultimate Nation's soundtrack. Yes, it's that Howard Shore -- The Lord of the Rings guy (not to mention all of his dozens of other film score projects dating back to 1979). How this smallish MMO was able to attract the likes of Mr. Shore I have no idea, but we're faced with the reality that the game did and this exists.

Other than doing a little double-take when I first found this out, I'm really cool with it. I love it when well-known movie composers dip into video games, such as when Harry Gregson-Williams branched out to do several of the Metal Gear Solid titles. Shore's works are really distinctive and give SUN a sound that's far more "professional" than many of the game's contemporaries.

That said, it's not the best score I've ever heard. It's quite noisy and pulls a little too much from the LotR films. Sometimes composers crib their own works (Harry Potter's music is John William's shameless ripoff of his own Home Alone soundtrack), and that's just how it goes. Let's take a look at an MMO scored by a Hollywood bigshot, shall we?

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In this post-Halo age, it's hard to imagine any sort of galactic ground battle happening without a stirring score at your back. So the challenge to the SOE audio team and Composer Jeff Broadbent was formidable: PlanetSide 2's soundtrack had to rock so hard that it would bring tears to the eyes of combat-hardened troops.

Whether or not the musicians and audio team succeeded is, of course, your personal opinion, but it's hard not to be impressed with the end result. Broadbent's worked on a variety of projects spanning video games, TV, and film, but PlanetSide 2 is his first crack at scoring an MMO.

We talked with Broadbent about his inspirations, experiences on the project, and his take on the end result. Read on and be enlightened!

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A few weeks ago The Secret World offered musicians the chance to weave their original melodies into the fabric of the conspiracy-laden game. Many heeded that call and over 300 submissions were received, some containing multiple compositions.

Instead of the originally intended five, 11 selections were chosen for inclusion in TSW. The winning music -- with titles like When Scouts Go Bad, I'll be the Death of You, Save Me, and The Zombie Stare -- will be introduced in Issue #7. Players will hear these pieces played on different radios throughout the game, such as those at The Ravens Knock and Susie's Diner in Kingsmouth, PC Bang in Seoul, and London's The Crusades nightclub. Congratulations to all the winners!

[Thanks to Samantha for the tip!]

Get ready to hear the theme that will be burned into your subconscious as you fine-tune your dozens of future WildStar avatars. Carbine Studios sent us a first look, er, listen to the character creation theme for the game.

The seven-minute tune is was composed by Jeff Kurtenacker (Pirates of the Burning Sea) and gives you a thematic feel for your first minutes in WildStar. It's a little regal, a little sparkly sci-fi, and all yours to hear after the jump!

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Wow, talk about a soundtrack that leaped up and bit me on the... earbuds! Sometimes I'm surprised how the smaller MMOs get treated to such lavish score releases while big-name games hoard their music to themselves, but in the case of Spiral Knights, I'm sincerely glad that this two-volume set was put out there for the world to enjoy. It truly is a kickin' project.

Spiral Knights was composed and arranged by Harry Mack (Doctor Who: Worlds in Time, Braid). Mack likes the smaller indie projects, so tackling this was one of his more high-profile works. For this album, Mack said that he was inspired by retro games: "It pulls a lot from the 'sound' of an earlier era, coupled in with more modern, easier-on-the-ears instruments."

The end result is a chirpy, peppy ride through a clockwork MMO, and trust me when I say that I had a hard time narrowing it down to just six picks. I hope that by the end of this column I'll have convinced you to listen to the rest of this terrific score.

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So here's an impossible task that lies before me right now: picking one musical genre that defines Granado Espada's score. I can't. It simply cannot be done. I've listened to a lot of soundtracks, my friends, and this game's score is literally all over the place. I don't know how or why the composers chose to toss opera, techno, electronic, international, jazz, and epic fantasy together like a bi-polar salad, but the end result is a nutritious blend of the crazy voices and catchy tunes.

Part of the... diversity on display here is the result of of a collaboration between several composers and one composer group: SoundTeMP, S.F.A., Junsung Kim, and Osamu Kubota. The game's sound department defended the decision to host a variety of composers in an interview, saying, "We took such an ambitious approach with the music in terms of different styles and the sheer quantity that we knew relying solely on a single composer would be inadequate."

Granado Espada has survived several transitions between companies and even a couple of name changes, but its soundtrack has endured just fine. It may be one of the most eccentric soundtracks you'll ever absorb, but at least it's never boring!

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I could hear some of you thinking in disbelief last week, "If Age of Conan isn't one of your top MMO scores, what is? And just how much am I not sending you a Christmas card this year, you loser?" You were kind enough to just think it and not say it, but I could hear it even so.

As we've mentioned countless times in this column, musical tastes are subjective. What's appealing to you may not be for me and vice-versa. What more is that musical tastes -- and favorites -- are always shifting around. I listen back to the jams that I enjoyed in the '90s and absolutely pity my younger self for such a deficiency in his musical diet.

So I thought that I'd take a week off our normal soundtrack reviews to bring to you my current top six favorite soundtracks. This list comes with the caveat that it's always subject to future changes as I continue to listen through more soundtracks for this column.

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Hellgate London was a title that I was highly anticipating back in the day. It was a post-apocalyptic MMO action-RPG brought to us by the makers of Diablo, all with techno-warriors and jaunts through the London Underground. I was on board with that. Sure, we all know how it ended and will probably kvetch about it in the comments, but I feel comfortable in saying that the concept sounded pretty awesome.

Ironically, the sound is what remained with me long after my days in that game were through. It's no surprise, as the composing duo of Cris Velasco and Sascha Dikiciyan have tackled many other high-profile video game projects together, such as Prototype, Mass Effect 2, and Mass Effect 3.

This score is pretty easy to get a hold of these days (try Amazon). It's a solid pick that has a few great tracks, as long as you're willing to tolerate darker themes.

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I'm going to be honest with you: I've been putting off this particular column for months now. I've been dreading it, really. Because what I say next is probably going to turn off a lot of you who seem to worship this score like nothing else I've seen: I only kind of like Age of Conan's soundtrack. It's not really my favorite, nor in my top 10. And I know that this goes really against the feelings for this score that I've seen professed in Jukebox Heroes and elsewhere.

You know what? That's OK. Musical preferences are some of the most subjective things in the world, and we can't be expected to like everything, right? If Age of Conan's soundtrack gets people listening to more MMO (and even video game) scores, then that's a win for our niche-within-a-niche-within-a-niche hobby.

This score (and all of Age of Conan's subsequent music) was composed by Norwegian Knut Avenstroup Haugen. He won several awards for his work on the game, including the International Film Music Critics Association Award for Scoring Excellence. If you're interested in the man, Massively's Jef Reahard did an interview with him back in 2010 that makes for good reading. Otherwise, let's head onward and I'll share my personal favorites from the original game score!

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As a franchise, Star Trek is replete with terrific (and iconic) music. Star Trek VI remains one of my all-time favorite film scores, and who can listen to the opening notes of The Next Generation without being able to whistle and/or hum the whole thing? Of course, Star Trek has a lot of bad and forgettable music as well, which is probably par for a combined work of hundreds upon hundreds of hours of television and cinema.

I had high hopes for Star Trek Online's score upon first logging into the game, and the opening theme certainly did not disappoint. Kevin Manthei (Champions Online, City of Villains) delivers a stirring title track that is also one of my favorites, although the remainder of the score is much more lopsided. Some of it is so generic and harsh on the ears that I ended up turning off the soundtrack when I played STO. That's a shame because there are several equally excellent tracks deserving of a listen.

So today we're going to the stars. I hope you packed your undies and a warm sweater.

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From suspenseful music to creepy background noises to the crackling of tunes on a radio, sound is a key element in the ambiance of The Secret World. And now, players have the chance to add their own music to the atmosphere of the game thanks to a new competition. Folks can get together with friends or record a piece solo and submit it for consideration to be included in TSW.

Entries to this music contest will be accepted from today until February 19th, 2013. All submissions must be the entrant's own composition or sent with the consent of the creator. Simon Poole, Funcom's audio director, will evaluate all submissions and choose the winners. For full details on how to submit your musical piece, check out the official guidelines.